1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.  Related Paintings of Albert Pinkham Ryder :. | The Hunter | The Shepherdess | Die Rennbahn oder der Tod auf einem fahlen Pferd | The Race Track | Moon-light Marine (mk43) |
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Modest Urgell
Modest Urgell (1839-1919) was a Spanish Catalan painter, illustrator, and playwright of comedies. He was educated at the Llotja School, in Barcelona, with Ramon Marte i Alsina and knew Gustave Courbet after a visit to Paris. Though he painted portraits, his prolific body of work is dominated by Neo-romantic landscapes, such as Fields of Loneliness (Campos de Soledad) (1894). He also acted and wrote such works for the theatre as Far from the Eyes, Close to the Heart (Lejos de los Ojos, Cerca del Corazon) (1898). In 1910 he taught at the School of Industrial and Fine Arts in Barcelona. Whilst he was there he worked with Josep Pasce and he taught the young Joan Miro.
Francisco Lopez Caro
(1578-1662) was a Spanish painter of the Baroque period. Born in Seville, he was a pupil of Juan de las Roelas. We know very little of him, save that he painted with indifferent success in Seville until about 1660, when he went to Madrid where he spent the remainder of his life, and died in 1662. His works were mainly portraits, some of which are in private collections in Madrid, Salamanca, Granada, and Seville.
Luigi Crosio
(1835-1915) was an Italian painter who lived and worked in Turin, Italy. He died in Turin and is recorded as having been born in Alba, but the town of Aqua a few miles north of Alba claims Crosio was born there. He attended the Accademia Albertina di Belle Arte in Turin. His immediate work afterwards tilted towards commercial paintings, but thereafter he specialised in genre painting with romantic 18th century scenes and portraits or period characters or Pompeian scenes. He also liked the opera and depicted several scenes from popular operas. He was also listed as a lithographer and was involved in publishing books and images. He had several daughters and one of them, Carola Crosio, married the famous mathematician Giuseppe Peano (of Peano axioms fame) in 1887. In 1898 he painted the famous Refugium Peccatorum Madonna (i.e. Refuge of Sinners Madonna) which was later also called Mother Thrice Admirable Madonna.